STYLISTIC REPRESENTATION OF METAPHOR AND DISCOURSE ISSUES IN EBI YEIBO’S THE FORBIDDEN TONGUE
DOI:
https://doi.org/10.2025/b32ssr98Keywords:
metaphorisation, source domain, target domain, political trauma, Ebi Yeibo's Forbidden TongeAbstract
Political trauma, as a form of psycho-social issue, is prevalent in human history. Extant studies have examined the discourse of trauma from psychological and medical points of view with insufficient scholarly attention paid to metaphorisation of political trauma in selected works of Nigerian writers especially Ebi Yeibo’s The Forbidden Tongue. This study, therefore, investigated metaphorisation of political trauma in Ebi Yeibo’s The Forbidden Tongue with a view to unmasking prominent source and target domains in the representation of trauma inherent in the text. While Charteris-Black’s Critical Metaphor theory served as theoretical framework, Ebi Yeibo’s The Forbidden Tongue is selected because it is trauma cum metaphor laden. Six metaphor types are identified namely: nature, human, family, animal, food, and place. Source domain “drought” and target domain “politicians” are conceptualised as ‘Politicians are the drought’ as explicated in “they are the dragons, and the drought, the hunters and the hounds”. Source domain “mother Teresa” and target domain “the Niger-Delta region” as denoted in “they forget, Mother Teresa breathed fresh air, into suffocating seas, from Calcutta’s black hole” is conceptualised as ‘politicians are merchants of power’. Source domain “upturned cockroaches” and target domain “the people” as exemplified in “like upturned cockroaches, we struggle in vain” is conceptualized as ‘the people are the upturned cockroaches”. Metaphors constitute unique semantic concepts used by Nigerian poets in projecting the traumatic experiences of the Niger Deltans in the 21st century Nigerian context.
References
Arendt, H. (1979). The Origins of Totalitarianism. New Edition with Added Prefaces. Harcourt Brace & Co.
Ayinuola, O.A & Salami A.A (2021) “Language Use and Ideology in Ibiwari Ikiriko’s Oily Tears of The Delta and Stephen Kekeghe’s Rumbling Sky”. Issues in Language and Literary Studies Vol.7: No1. Pp 216-234
Ayinuola, O. A. (2020). “Lexicalisation of Ideology in National Anthems of Selected African States” In Issues in language and Literary Studies. Volume 6: Number 1. Pp 124-136
Bodo, A. (2019). Oil crisis in the Niger-Delta Region of Nigeria. Genesis and Extent. European Scientific Journal, 15(36):141-158
Charles, A. (2023) Paradox of Location, Gender and Poetry in Ebi Yeibo’s The Forbidden Tongue. Unpublished
Chateris-Black, J. (2004). Corpus Approaches to Critical Metaphor Analysis. Basingstoke: Palgrave Macmillan
Ebi, Y. (2007) The Forbidden Tongue. Ibadan: Kraft Books
Fagbeja M.A. et al (2008). Air Pollution and Management in the Niger-Delta –Emerging Issues. WIT Transactions on Ecology and the Environment, Vol 116, WIT Press.
Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago, IL:
University of Chicago Press, 1980; Afterword: 2003.
Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago, IL:
University of Chicago Press, 1980; Afterword: 2003.
Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago, IL:
University of Chicago Press, 1980; Afterword: 2003
Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago, IL:
University of Chicago Press, 1980; Afterword: 2003
Harvey, J. H. (2001). Perspectives on Loss and Trauma: Assaults on the Self. USA: SAGE Publications Inc; 1st Edition
Herman, J. (1997). Trauma and recovery: The Aftermath of Violence- From Domestic Abuse to Political Terror. New York, NY: Perseus
Imhonopi, D and Ugochukwu, M. U. (2013) Leadership Crisis and Corruption in the Nigeria Public Sector: An Albatross of National Development, in The African Symposium: An Online Journal of the African Education Research Network, Vol 3. No 1
Kovecses, Z. (2010). Metaphor: A Practical Introduction. 2nd ed. Oxford: Oxford University Press
Lakoff. G, & Johnson, L. (1980). Metaphor We Live By. Chicago: University of Chicago Press
Lakoff, G., & Turner, M. (1989). More Than Cool Reason: A Field Guide to Poetic Metaphor. Chicago: University of Chicago Press.
Mark, M. (1995). Metaphor and Iconicity: A Cognitive Approach to Analysing Text. Palgrave.
Mohammad, R. (2011). The study of Metaphor as part of critical discourse analysis: Critical Discourse Studies, (9), 301-310
Ndubuisi, O. (2019) Insecurity in Nigeria: the implications for Industralization and Sustainable Development. International journal of Research Business Studies and Management. Vol. 6, Issue 5, pp7-16
Nnam, M.U (2015). Predictors and Incidence of Kidnapping in Contemporary Nigeria: A socio criminological Analysis. International Journal of Recent Research in Social Sciences and Humanities, 2 (1), 38-43
Okonta, I & Douglas, O (2001). Where Vultures Feast- Shell, Human Rights and Oil in the Niger- Delta. Sierra Club Books, San Francisco, 1-286
Okpabi B (2021) Nationhood and Environment in Ebi Yeibo’s ‘The Forbidden Tongue’. Department of General Studies. Petroleum Training Institute Effurun (PTI) Delta State, Nigeria
Oluwasanmi, J.O (2007) Nigerian! Which way forward? Akure: Maotex Ventures.
Osisanwo, Ayo (2017). “Conceptual Metaphors in Newspaper Reportage of the War on Boko Haram Terrorism in Nigeria.” Ibadan Journal of Humanistic Studies, vol.27, no. 1, pp. 19–38.
Oviasogie, F.O (2013). State failure, Terrorism and Global Security: An Appraisal of the Boko Haram insurgency in Northern Nigeria. Journal of Sustainable Society, 2(1),20-30
Pegg, S (1999). The Cost of Doing Business: Transnational Corporations and Violence in Nigeria. In Owabukeruyele, S.W. (2000). Hydrocarbon Exploitation, Environmental Degradation and Poverty in the Niger-Delta of Nigeria. A paper presented at the Lund University LUMES Program, Lund Sweden in 2000. Retrieved on 27/10/2011 from www.waado.org/Environment/PetrolPollution/Economics.htm.
Semino, E & Steen, G (2008). Metaphor in literature. In R.W Gibbs Jr. (Ed). The Cambridge handwork of metaphor and thought (pp 232-246). Cambridge University Press
Shuaibu S.K (2018) The Impact of Microfinance on Poverty Alleviation in Northwest Nigeria: The Moderating Effect of Entrepreneurial Self-efficacy. PhD. thesis, Universiti Utara Malaysia
Solanke S.O (2013) Poetic Exploration of Political and Sociological Changes in Nigeria. The “Handwriting on the Wall” from Nigeria Poets: The Journal of Pan African Studies, vol 5, no 10
Wolosky (2008). The Art of Poetry. Oxford: Oxford University Press
Zhang (2009). An Analysis of Conceptual Metaphor in Western Commercial Advertisements. https://doi.12p97
Downloads
Published
Issue
Section
License
Copyright (c) 2025 AUN Journal of Arts & Humanities

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Author’s Warranty and Transfer of Copyright
Corresponding authors on submissions will be required to sign an Author’s Warranty (if open access) or an Author’s Warranty and Transfer of Copyright Agreement (if subscription-based) prior to the publication of the submitted work. In the Author’s Warranty, the author is confirming originality of the work. In the Author’s Warranty and Transfer of Copyright Agreement, the author is both ensuring the originality of the work, as well as transferring the copyright to the publisher.
In the event of multiple authors, if the Corresponding Author is not given authorization by the co-authors on the submission to sign the Agreement, then all authors will be required to sign. This Agreement must be signed and submitted before AUNIJAH will agree to publish any manuscript.
The Warranty portion includes the following language:
The author(s) hereby warrants that the manuscript named above that has been submitted to AUNIJAH for publication in the named publication, IS ORIGINAL AND HAS NOT BEEN SUBMITTED FOR PUBLICATION OR PUBLISHED ELSEWHERE, and that all trademark use within the manuscript has been credited to its owner or written permission to use the name has been granted. In addition, the author(s) acknowledges that all images such as tables, screenshots, graphics, etc., do not have a copyright that is held by a third party. AUNIJAH will not accept a manuscript for which the copyright is held by a third party. Authors may not use substantial verbatim text from another copyrighted work without the written permission of the copyright holder.
When an author transfers the copyright of the work to the publisher it is for the verbatim text within the submission only and should not be confused with intellectual property rights.
